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Sin Nombre June 10, 2009

Posted by ultimateserge in 2009, Adriano Goldman, Cary Joji Fukunaga, Drama, Edgar Flores, Héctor Jiménez, Kristyan Ferrer, Paulina Gaitán, Sin Nombre, Sundance Film Festival, Tenoch Huerta Mejía.
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Format: Drama

Rating:

Directed by: Cary Joji Fukunaga

Starring:
Paulina Gaitán
Edgar Flores
Kristyan Ferrer
Tenoch Huerta Mejía
Héctor Jiménez

Sin Nombre is one of those few gems that gives lends a sympathetic hand to illegal immigration. Though there is no reason to commend the immigrants, one realizes that they can’t be labeled as ruthless criminals.
The plot is focused on two specific characters, yet it is more focused (or tries to be) on the voyagers of a caravan traveling to the border. The two characters are a young boy and girl and the film follows their love for each other, yet that is a sub-plot of little interest. It is important to comprehend where these people are coming from and why they are pursuing the American life. They don’t necessarily strive for a better life, but seek any way to escape their current dire condition. Even though the chances of success may be slim, they are more appealing than accepting fate.
It is quite ironic that among all the opportunities of America, the director chooses to display Wal-Mart, McDonalds and Target yet it makes sense. The attraction of America, for the immigrants isn’t primiarly the the first amendment but simply labor that may grant them the chance, over time, to accomplish the American Dream.
This is a suprisingly good debut by Cary Joji Fukunaga. The film is so effective that by the end you’ll be rooting for the immigrants to pass the borders, as illogical as it may sound.

GoodBye Solo June 9, 2009

Posted by ultimateserge in 2009, Elvis Presley, Film, Movie, Ramin Bahrani, Red West, Roger Ebert, Souléymane Sy Savané, Spiritual, Taste of Cherry.
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Format: Spiritual

Rating:

Directed by: Ramin Bahrani

Starring:
Souléymane Sy Savané
Red West

Release date(s): Spring 2009-USA

This is one of those few rare suicide films with heart. Ramin Bahrani, the director of Man Push Cart and Chop Shop, turns in another spectacular tale of pain and agony.

Goodbye solo may be a film about suicide yet much different than the conventional Hollywood version because it is true to the meaning of suicide. Too often have we seen movies in which a protagonist saves his friend or family member through the beauties of life; goodbye solo is not that film? It acknowledges that suicide is not an overnight phenomenon of the mind. It is decisive and determined decision that is extremely difficult, if not impossible, to overturn by others.

William is an old man determined to put an end to his life atop a peak. Nothing seems to stop his vision until he meets Solo, an immigrant cab driver who is only trying to provide whatever is best for his family.

The chemistry between these two actors is quite extraordinary. William at first not to be deserving of Solo’s empathetic kindness, yet we see that he does establish a friendship even though he is hesitant of expressing it vocally. Souléymane Sy Savané’s portrayal of Solo is somehow the male version of Sally Hawkin’s portrayal of Holly in Happy-go-Lucky. If there was any fairness in the world, Solo would receive at least a Golden Globe for his role.
Amazingly Goodbye Solo never becomes depressing and somber. It never jumps away from its heartwarming tone mostly due to Souléymane Sy Savané’s acting chops. As the story unfolded I was rather surprised that I actually didn’t care how it turned out in the end.
The film is so faithfully to itself that the audience is not even fearful that Solo may end his life.
Due to the fact that Bahrani is half-Iranian, it seems inevitable to associate this with abbas Kiarostami’s the taste of Cherry; a bleak movie about suicide that offers similar melancholy throughout. This may not have the overly-sweet attraction of films like “The Soloist”; it is a tale that has not been put on film like this before.

Up June 8, 2009

Posted by ultimateserge in 2009, Animation, Christopher Plummer, Disney, Edward Asner, Pete Docter, Pixar, Up.
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Format: Animation

Rating:

Directed by Pete Docter

Starring: Edward Asner Christopher Plummer Jordan Nagai Bob Peterson Delroy Lindo Jerome Ranft John Ratzenberger Elie Docter

Release date(s): 26 September 2008(United Kingdom)30 January 2009(United States)

When you have such apt animators as Pixar, it doesn’t take much to create a great film. Pixar has shown consistently through the years, but what happens when the motivation fades: UP.
UP is the tale of Carl Fredrickson (voiced by Edward Asner) who has been obsessed with exploring Paradise Halls (in South Africa) with his childhood partner and eventual wife, Ellie. When Ellie passes on, Carl promises to continue and fulfill their long postponed dream. On his way, he meets a few unexpected comrades and a hostile childhood role model.

The main issue with Up is that unlike other Pixar masterpieces, it is overly comprising. Wall-E displayed the gloomy display of the future for human which was quite refreshing and made people think about the consequences of pollution. UP though is simply similar to slapstick boy meets girl film. It’s among those films that include multiple conflicts but ends so purely acceptable, leaving the audience uncontrollably satisfied.

The second problem is that UP does not display an extraordinary plot. It’s simple, delicate, and rather superficial. Despite everything I was surprised Pixar made the film so grim and depressing. It is fine to include one, two, or three mentions of a dead wife, but when the premise is set by such overwhelming and silly sentimentality, it difficult not to feel dejected. UP is one of those ‘Ah… cute” movies. It is built specifically to cause such emotion; to a degree that is not natural anymore. I’m sure that at some point the writers thought that Russell, one of Carl’s comrades (voiced by Jordan Nagai), should mention Ellie to get the fiftieth “ah…Cute, sweet” moment.

Now I don’t mean to send the wrong impression. UP is a good film yet average compared to other films like Finding Nemo, Toy Story, and Monsters Inc. In other words, as good as the graphics may be this is a low point for such a prestigious company as Pixar.

Taken March 16, 2009

Posted by ultimateserge in 2009, David Warshofsky, Famke Janssen, Film, Holly Valance, Jon Gries, Katie Cassidy, Liam Neeson, Maggie Grace, Movie, Olivier Rabourdin, Pierre Morel, Taken, Thriller, Xander Berkeley.
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Format: Thriller

Rating:

Directed by Pierre Morel

Starring:
Liam Neeson
Maggie Grace
Famke Janssen
Xander Berkeley
Katie Cassidy
Olivier Rabourdin
Holly Valance
Jon Gries
David Warshofsky

Release date(s): 26 September 2008(United Kingdom)30 January 2009(United States)

How caring can a father actually become? Is there a true limit in being overprotective or caring? Does it depend on one’s rascal kids or is it the personality of the parent that will make him more concerned?!!

Taken is the story of ex-CIA “preventer” Bryan Mills (Liam Neeson) who retires to be closer to his daughter, Kim. She though is jeopardizing his plans by attempting to flee from the family nest. She stays with her mother and rich stepfather who isn’t in anyway buying his way into her heart with extraordinary gifts which overshadows anything Bryan could give her by miles. Though retired, Bryan still has what it takes to be a preventer and at times he does take on responsibilities with his past CIA colleagues.

The plot really warms up when Kim (Maggie Grace) goes to France with her friend, Amanda for U2 concerts. Before arriving at the house, they meet a young nice man by the name of Peter who gets their number and invites them to a party that night. Before long, the girls are “taken” or rather kidnapped by an unknown source that seems to receive information from people like Peter.
It must be extremely hard for a parent like Brian, who happens to be somewhat of an Assassin, to guide his daughter through the peril she witnesses. He knows that she will be kidnapped, based on his experience, but if she is to be taken, why not let the savages find her freely rather than search for her? Does it not leave a better impression to give in freely rather than hide from danger! This may sound idiotic, but if one is sure to be caught, why should it be necessary to hide?

The audience may become disgusted with Brian’s effectuation with his daughters whereabouts, but it seems like he has truly witnessed the trouble some young girls like his daughter can get in to; As a result maybe he has a right to be overprotective. As we progress forward in the film we feel for him, and are more offended by her mother’s careless attitude that finally leaves Kim in a terrible situation that only her father can resolve.

Liam Nesson’s character is in many ways identical if not better than Matt Damon’s Jason Bourne. I found Brian refreshing for he did not stray away from conversation, unlike Bourne, and was more of a savage who fought for a CAUSE. Bourne, on the other hand, slaughters individuals just to escape from a conspiracy concerning him that never seems to end.

Taken in no way lacks energy, speed, action or gore; all the necessary requirements that produce a desirable action flick. The big problem of the film is that it lacks a creative plot. This is the same action-movie formula that has been applied to numerous other films. Taken just fails to make it better or even worse than all those films it precedes. Though in the beginning, one has hope that Taken may turn into a slick smart thriller, as it unravels, it sinks into the same category of movies with unpleasantly pleasant ending we have been used to experience. In other words, when the credits role, one has to grasp the idea that everyone survived the dilemma and is going to go back to their normal lives with little noticeable difference.

I think this film is not a well-written thriller, but then again, most thrillers are not. My reaction to Taken is mixed, for it is not disappointing but neither is it strong enough to be recalled after the credits. In other words it is so straight forward that it does not allow one to think of the story any further. When a movie is so straight forward, without any twist and turns or even surprises, what is left to ponder about?

Two Lovers March 10, 2009

Posted by ultimateserge in 2009, Elias Koteas, Film, Gwyneth Paltrow, Isabella Rossellini, James Gray, Joaquin Phoenix, Moni Moshonov, Movie, Romance, Two Lovers, Vinessa Shaw.
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Format: Romance

Rating:

Directed by James Gray
Starring:
Release date(s): May 2008 (Cannes Film Festival)February 13, 2009 (limited)
Two Lovers is reportedly Joaquin Phoenix last acting gig, and he is only going to be a rapping in the future. People like Jennifer Hudson failed on American Idol but succeed in acting, I would hate to see Joaquin do it the other way around. Anyways…

Two Lovers is the story of Leonard Kraditor (played by Joaquin Phoenix) who prone to emotional problems has attempted suicide on countless occasions. Without any purpose in life, after breaking up with his fiancé, suicide seems like the ultimate solution to him. As a result he is under full time scrutiny of his parents who in any way possible wish to see what he is doing in his room.

After his final suicide attempt in a lake his father, Reuben (portrayedd by Moni Moshonov), asks him to meet with The Cohen’s. The Cohen’s are a potential business partner for the family, so it seems logical that Leonard is set up with the Sandra (portrayed by Vinessa Shaw)-the eldest daughter of Michael Cohen.

After explaining his past relationship with his Fiancé, Leonardo grasps Sandra’s love and empathy. Due to their growing relationship he is asked to photograph Sandra’s brother’s Bar Mitzvah. As their relationship grows, so does Michael Cohen’s expectations of Leonard. He offers him a job with the Family Corporation if he is willing to stay put and avoid doing foolish deeds.
Leonard though is simultaneously engaged in a second relationship. Michelle (Paltrow) is Leonard’s new neighbor in his apartment building hall. He is immediately attracted to her and spends time with her talking and eventually partying. He soon isn’t her neighbor but also her relationship counselor. Michelle, who is in relationship with a fellow member in her law firm who happens to be married, asks Leonard to join them at lunch and think if Ronald (her boyfriend played by Elias Koteas) will leave his family. Soon after, the romance between the two starts.

I somehow feel sorry for Leonard, for he is stuck in a loophole. He loves both girls, but he can’t decide which way to go. Just when the audience thinks they know what Leonard is going to do, he takes an opposite change in plans. Of all things, one has to respect Leonard in a particular kind of way. Obviously his heart is pounding from all these emotions he has to express to both individuals but not once does he doubt himself: He knows what he has to do and he does it without looking back.

There have been many romantic movies out lately that only dramatize what they wish “love” was like, but “Two Lovers” demonstrates what true love is. True love is what we all aim for but do we only find one true love.

I don’t think that there could have been a better film that Joaquin could have used as his farewell from acting. Unfortunately this movie was released way before the awards season so, it is somewhat difficult to predict its future. But I assume that Joaquin will be nominated (at least) for a Golden Globe for his exquisite portrayal of a half crazy yet sweet guy who is stuck between two impossible roads. The rest of the cast needs to be credited for being up to par for such an emotional movie: especially Gwyneth Paltrow and Isabella Rossellini whom demonstrate the complexity between wants and needs.

This movie reminds me of Vicky Christina Barcelona by Woody Allen which was released in 2008. The two films are similar for their unsatisfying result (in which compared Two Lovers is still more satisfying), amazingly difficult dilemmas and poignant portrayals. I think it is necessary to add that another element that makes Two Lovers special is the music and its setting. Set in Manhattan the film gives one a sense of gloom and despair that is evident throughout the film and gives light to the terrible decisions one gas to make in such a situation.
I feel the need to say that this film is not entirely satisfying, for whichever way he chooses there are still going to be people whom will argue that he necessarily did not make the right decision. This movie is not for those individuals who still condemn Brad Pitt for leaving Jennifer Aniston and pursuing Angelina Jolie. This movie is actually trying to make us comprehend that we are no longer in the era of the Salem witch trials which adultery was as evil as witchcraft.

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